Green Lantern hits theaters on June 17th, 2011.
Cast: Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong, Tim Robbins, Angela Bassett, Jon Tenney, Taika Waititi, Temuera Morrison, Gattlin Griffith, Jenna Craig
In a universe as vast as it is mysterious, a small but powerful force has existed for centuries. Protectors of peace and justice, they are called the Green Lantern Corps. A brotherhood of warriors sworn to keep intergalactic order, each Green Lantern wears a ring that grants him superpowers. But when a new enemy called Parallax threatens to destroy the balance of power in the Universe, their fate and the fate of Earth lie in the hands of their newest recruit, the first human ever selected: Hal Jordan. Hal is a gifted and cocky test pilot, but the Green Lanterns have little respect for humans, who have never harnessed the infinite powers of the ring before. But Hal is clearly the missing piece to the puzzle, and along with his determination and willpower, he has one thing no member of the Corps has ever had: humanity. With the encouragement of fellow pilot and childhood sweetheart Carol Ferris (Blake Lively), if Hal can quickly master his new powers and find the courage to overcome his fears, he may prove to be not only the key to defeating Parallax…he will become the greatest Green Lantern of all.
Green Lantern trailer courtesy Warner Bros. Pictures.
Cowboys & Aliens hits theaters on July 29th, 2011.
Cast: Daniel Craig, Olivia Wilde, Harrison Ford, Noah Ringer, Sam Rockwell, Ana de la Reguera, Clancy Brown, Heavy D, Jon Favreau, Paul Dano, Abigail Spencer, Keith Carradine, Adam Beach
1873. Arizona Territory. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It’s a town that lives in fear.
But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known.
Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.
Cowboys & Aliens trailer courtesy Dreamworks Pictures.
While Caprica will see its final five episodes released on DVD first, rather appropriate since the pilot movie was released on DVD well in advance of the TV run, Syfy has finally chosen the dates and times for the final five episodes in its broadcast form. The last five episodes will air during one block which is scheduled for January 4th, a Tuesday night, from 6pm to 11pm. The last episodes are The last five episodes of the series, “Blowback,” “The Dirteaters,” “The Heavens Will Rise,” “Here Be Dragons,” and “Apotheosis.”
According to ICv2, “A campaign to save Caprica, which culminated, according to the L.A. Times, in fans sending 2,880 apples to NBC Universal’s head Steve Burke, has so far failed to save the series (though the fruit was donated to City Harvest), but the Syfy network has ordered the pilot for a third Galactica series, Battlestar Galactica: Blood and Chrome.”
Everything is somewhat more gargantuan in Texas, so its only natural that Houston has its eye on having the largest network of electric vehicle chargers in the country. The plan is a privately funded brain-child of power plant operator NRG Energy, which hopes to install 150 charging stations in the 25 mile vicinity of downtown Houston starting in February. Chargers will be placed at common retail locations such as Walgreens and Best Buy, but given that 80 to 90 percent of charging will occur in homes, an $89 all-you-can-juice monthly plan will also include the installation of 240-volt charging systems in residences. NRG doesn’t expect to turn a profit on its $10 million investment for several years, but hopes that taking the proactive step will create a lucrative business in the future as electric vehicle prices (hopefully) hit the skids. The company also wants to build a similar network in Dallas in early 2011, and perhaps San Antonio and Austin in the future as well. Still, while the plans are admirable for the home of big-oil, compared to London’s government-backed 1,300 station plan, NRG’s Houston aspirations still seem positively Rhode Island-sized.
Source: Fuel Fix
Katy Perry follows up the first two massively successful singles from Teenage Dream with this little anthem about being true to yourself and realizing your inner power. If only she didn’t do it with such an embarrassing video. “Firework” is an excellent single, the chorus capturing the very vibe Katy is trying to express. To sing along with this, you have to make yourself known, your voice heard. You cannot whisper along with “Firework”, an aspect of the track the Wideboys definitely took advantage of in their stadium-friendly remix. But the video is a shiny, sparkly mess. Katy basically shoots the aforementioned colorful explosives out of…her bosom? It’s not really clear but it is very awkward. And the inspiration she provides others (including a boy who is tired of his arguing parents, a cancer patient who is bald, a chubby girl embarrassed to dive into a pool of hot people, and a magician who is mugged) lights their chest up with sparklers. Eventually they run around the courtyard in the Parliament building emitting random rockets of light as they run around in what must be some sort of Pagan ritual. Overall, it begs for a purpose that isn’t muddled in special effects, because the point of the video and song is a beautiful one. I miss her whipped cream canisters.
The Obama administration is considering disabling cell phones in American cars, aiming to cut down on distracted drivers and cell-phone-related road deaths.
Transportation Secretary Ray LaHood, the nation’s preeminent anti-distracted-driving crusader, said in an interview on MSNBC yesterday that federal officials are looking at technology to disable cell phones inside cars.
“I think it will be done,” LaHood said. “I think the technology is there and I think you’re going to see the technology become adaptable in automobiles to disable these cell phones. We need to do a lot more if were going to save lives.”
Also on Thursday, the SecTrans launched a new “Faces of Distracted Driving” video campaign that features people who have been killed or lost loved ones because of inattentive drivers. The video features heartwrenching stories of children killed in crashes because of text messaging, and new videos are expected to be added every few weeks, according to the New York Times. Continue reading
The real-life housing market might be in the dumps, but a Hollywood real estate mogul is making a killing in the virtual world. Jon Jacobs, aka “Neverdie” in the massively multiplayer Entropia Universe, just sold a virtual nightclub for the actual price of $635,000.
Proceeds from the sale will fund Jacobs’ virtual planet-building ventures, which could in turn create actual revenue streams for Hollywood, the recording industry and traditional media sources. Really.
“Club Neverdie” is one of the hottest virtual properties in the Entropia Universe, the first virtual world with a real cash economy. An asteroid around Planet Calypso, Entropia’s first planet, is the club’s home. Jacobs bought the asteroid in 2005 for $100,000, after taking out a mortgage on his real-life house, according to Forbes.
Since then, Club Neverdie became a haven for other players visiting its bio-domes, nightclub, stadium and mall. Jacobs was making around $200,000 in actual cash every year from players purchasing virtual goods and services, Forbes explains. Continue reading
Deadline New York reports that Warner Bros. Pictures is planning to redo a true cinematic classic of their own. Namely The Wizard of the Oz.
Not to be confused with Disney’s upcoming prequel to the L. Frank Baum story, Oz, the Great and Powerful, Mike Fleming reports that Warner Bros. desires a more direct remake with hopes that Robert Zemeckis will come on board to helm. Possibly hoping not to ruffle too many feathers in the process, the studio reportedly wants to utilize the original’s 1939 script treatment.
There’s also some question as to timing here with Zemeckis already hard at work with the Yellow Submarine remake along with recent news that he’s returning to live-action with Timeless. Add into the mix his numerous confirmations of a Roger Rabbit 2 adventure in the works and you have to wonder whether he would even have the time to step into this project or whether Warner Bros. would wait for him when Disney is fast-tracking that prequel.
Sounds like a wish… I certainly hope that they don’t tread on this ground! This American classic should nould not be tainted by the money hounds.
Nora Grey is trying her best to do well in a summer school chemistry class, find a part-time job, and keep up with a group of dubious friends. Adding to this frenzy of activity is a difficult relationship with Patch, her guardian angel, the unsolved mystery of her father’s brutal murder, and an often-absent mother. Interwoven into the complications of Nora’s life is the escalating conflict between a band of fallen angels and their Nephilim hosts, which may soon take its toll on all of mankind. This sequel relies on the reader having knowledge of its predecessor, Hush, Hush (Simon & Schuster, 2009 / VOYA December 2009). Unfortunately a short recap does not appear until the middle of the book. Nora, the story’s narrator, is a walking contradiction. She is an outstanding student who continues act foolishly. She is a self-professed good girl who has no trouble using a fake identification card, dressing provocatively, visiting shady pool halls, and slugging people. She steals her nemesis’s diary, but is too ethical to read it. She trusts bad-boy Patch with her life (even though he tried to kill her in the prequel), but not with another girl. Although Nora’s sensual dream sequences advance the story and add romance while keeping her innocent, they come across as contrived insertions. More information about the paranormal world the archangels inhabit may have made up for an overly long story with unlikable characters, a convoluted time frame, and contrived plot twists. Reviewer: Lynne Farrell Stover
Card entwines two stories in this fascinatingly complex series opener. In one, 13-year-old Rigg is living a contented life with his acerbic and intellectually challenging father as a backcountry trapper, using his magical ability to perceive paths that show the past movements of people and animals–anywhere from minutes to thousands of years earlier. Then his father dies suddenly, and Rigg becomes an outcast with his friend Umbo, after Rigg is wrongly blamed for Umbo’s brother’s death. Interwoven is the story of starship captain Ram Odin, whose interspatial jump toward a new colony world results in a bizarre paradox with far-reaching consequences. The result is an amalgamation of adventure, politics, and time travel that invokes issues of class and the right to control one’s own life. Yet despite its complexity, the book is never less than page-turning. While Card delves deeply into his story’s knotted twists and turns, readers should have no trouble following the philosophical and scientific mysteries, which the characters are parsing right along with them. An epic in the best sense, and not simply because the twin stories stretch across centuries. Ages 12–up.